My ambivalence toward country music
I grew up in Houston. While H-town has a lot to offer when it comes to culture and arts, the teen scene was not that exciting during the early 90s. My friends and I ended up at the C&W clubs because we could dance. The fact that the older men asked us was a huge compliment - and one of the reasons we went back. (Any young girl reading this, please do not go to clubs and dance with older men.)
Since I left the city in 1995, I've had a rather sheepish relationship with the music. This past year, I was with a friend from high school and we had the country station blaring. I heard Brad Paisley's "Welcome to the Future" and I began to hope the genre was really making cultural progress. The next song dashed this glimmer. Carrie Underwood's rich voice belted out a song about vandalism and cheating. I couldn't help but laugh when I heard the lyric, "white trash Shania karaoke." It's not as though the following line was about Carrie busting out both headlights with a Louisville slugger. Ah, country music, I have missed you.
Since I left the city in 1995, I've had a rather sheepish relationship with the music. This past year, I was with a friend from high school and we had the country station blaring. I heard Brad Paisley's "Welcome to the Future" and I began to hope the genre was really making cultural progress. The next song dashed this glimmer. Carrie Underwood's rich voice belted out a song about vandalism and cheating. I couldn't help but laugh when I heard the lyric, "white trash Shania karaoke." It's not as though the following line was about Carrie busting out both headlights with a Louisville slugger. Ah, country music, I have missed you.


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